Tuesday, 23 May 2006

Answer to: Why are we being excommunicated

My friend TFK translated to me the article "Why are we being excommunicated" by Professor Binyamin Noiberger. In this post I will try to put this into components, and answer them one by one. This would not work via IRC, as it causes me to shorten my texts, which gives way to interprations that I did not mean.

In the first paragraph, boycott of Israel is talked about. The writer points out that while Israeli products are boycotted, this is not done to other countries that have bigger and more recent track records in impolite actions against neighbors. Professor Noiberger lists Sudan, Saudi Arabia and China. Without researching these countries in any big detail for this text, I would like to point out that these countries are not, in any way, democratic, and even their capitalistic nature can be questioned. Israel, on the other hand, has a working democracy and healthy private sector. While in Sudan, Saudi Arabia and China the stateship is guided by one person or group of persons, Israel, at least on the paper, is a governed by its people. And this is how boycott works. By not buying Israeli products, you cause problems to local companies, who in turn pressure the goverment to do your bidding.
Also, unlike the other named countries, the products of Israel are easily identified, and alternatives for Israeli products found, this is not the case with the other countries. Sudan and Saudi-Arabia sell oil as their main export product. The oil goes directly to the world market, and private customer has no way of finding out is the gasoline he buys producted from Venezuelan, Russian or Saudi-Arabian oil. China, on the other hand, has a huge export trade and it would be childish to think that any manner of boycott by private organisation could ever cause even smallest impact on the sales of the product. As China mainly produces consumer electronics and clothes to Western markets by western companies, there isin't really an alternative in the product group and pricerange that you can choose to boycott chinese economy.
Israel, on the other hand, exports relatively cheap consumer goods and competes with several other countries with similar products and prices. This follows that boycott in this case is easy and working strategy. Strategy, that would and would not work on Sudan, Saudi-Arabia or China.
It should also be pointed that unlike Israel, Saudi-Arabia and Sudan are seldom in the news. Before reading this article (and checking the summary of Sudan's present situation), I was infact completly ignorant that there was anything to boycott in the country. While the countries are undoubtedly well covered in Israeli media because of the countries proximity, from British - or Finnish, as it were - perspective these countries seem very far away indeed. Israel, because of its historical and political background and news coverage given, seems far more closer and easier to influence.
This is not to say that Sudan, Saudi-Arabia or China were better or as good countries. It is just to say that these countries can not be affected via boycott, and other matters, not relevant to this text, should considered.

Next professor talks of anti-zionism, and of equalizing it in british academic circles with colonization, racism and imperialism. Noiberger himself points out the most common reasons for this belief; refusal of peace and the settlements condemned by United Nations. There is also other reason that Noiberger didn't mention or wasn't able to identify. In today's news coverage, only people with strong religious bias identify themselves abroad or in foreign news-interviews as zionists. These views are almost always connected with dreams of greater Israeli territory. People with more down-to-earth religious believes or political views seldom see it important of mentioning zionism. As the word is something not encountered in everyday life, the interpretation of the word has changed, in Western world, to mirror these sentiments. To this writer as well, "zionist" was synonymous with "person who was for restoring historical borders of Israel". Not until few months ago were I aware that the orginal, standard meaning of the word was closer to "nationalistic", as related to Israeli nation.
Of the talks of Israel leaving Palestinian territories as miracle-answer to solving the whole dispute; I would not agree to it, but the answer does seem very attractive in its simplicity. Particulary younger people with more black-and-white view of the world would find this satisfying conclusion. It is only as we grow older as we are more adept in finding the gray in the black-and-white world. Professor, having lived decades in middle of the dispute, would of course see all the shades of gray, while his students, young and far-away from the land in question, would only see few, if any, shades of gray.

Next the article handles the views and relationships of the people of Israel and Palestine, as seen by Oxford students - and british people in general. It should be noted that while Israeli view of the situation is, without doubt, the fact that this land belonged to us from time immemorial, the Palestinian view of the matter is undoubtedly the same. The Jewish race was away for a long time. They might not see Jews as one people who have returned, but as Brits, Americans, Germans - in short, Western people - come to claim land that is not theirs. Land that they have defended over millenium. Without having studied the matter in no great detail (and I admid I might be wrong), they might see this as fitting sequel to Crusades of the Middle Ages.
Thusly, even the orginal UN Partition Plan might have been seen as unjust, as it came from Western organisation.
As the problem is very complex indeed, there are no easy answers, no simple solutions. Because of the decades of violence, there is no trust to be had and plenty of bad blood. From outsiders point of view, which Professor is sketching in his text, simple solutions seem to have very good changes in working. But they come outside the culture of Israel; the culture of Palestine, and what looks good in in paper is not so good on action, as proved by several unsuccesful peaceplans from West.
When private persons talk like world would be black-and-white, and act based on these views, the end results are, at best, amusing, and at worst, catastrophic. In this case Professor's students have undoubtedly convinced that Israel is the bad guy (because, heaven forbid, they might all be equally of blame, or blameless) to justify and make world fit into their mental projection. Professor undoubtedly noticed this himself, as did the reader of his text. I can only completly agree.

I will not talk in lenght about conspiracies; we all know that they are by nature easily identified if created. I will simply note that there are jews in America who have formed lobby groups, and who try to pressure and affect decisions thru political donations. Human mind is very adept in seeing mountains there where are hills, and creating the most magnificent shapes out of formless shadow. Undoubtedly, there are jews bribing Congressmen at Capitol Hill, just as there are NRA, Nut-Christians, big corporations and what-have-you doing the same. That's the American Way.

I can't say anything about the meeting. Professor is undoubtedly correct, and that sounds like very morally bankrupt method of acting. Maybe the people who should have said something, were thinking of diplomatic ties? That would be very Machiavellian way of operating, which, I understand, is very prominient in European politics.

Again, in the last chapter, I completly agree. but point again that the word "Zionist" causes some bad thoughts in my head. If the word would have been "patriot" or "supporter of Jewish state", I would have instantly risen and clapped my hands. As it is, it took me a moment to understand how he had seemingly competing ideas in the same sentence, under the same definition.

I have last studied Israel and its history five years ago. My view on the subject is that of a very much outsider, but I congratulate myself in thinking that at least I dont fall into the usual traps of simplifying things too much. However, my information and ideas may be false, and I am willing to listen those rebukes that I will most probaply hear for this text I have written. Please note that it is not my aim to be disrespectful toward jews or Israel, nor do I think it is ok how those people acted in Britain, as descripted by Professor Noiberger. It is however important to understand that he is mostly talking of young people. Their fathers walked and talked for communism in the seventies. Exellent and good intentions don't always produce nice results. While they undoubtedly acted harshly, that didn't come out of hate, but of ignorance, which I think is very important. There is a distinct difference between lynching black people because one hates them and lynching people one sees standing for evil.
I got the idea that not one of these problems the Professor mentioned were aimed towards him, but towards Israel, towards it government. As such, the students did important distinction between Israeli people (and jewish people in general) and Israeli goverment, which should be noted. As such, question falls mostly under PR - how can Israeli government help form an image of itself, that dosent revolve solely around illegal settlements and violence, as it has during the last few years?
The direction Israel has taken lately, of dismantling the outer settlements and refusin to make more, as well as walking away from Gaza, will probaply be marked as "positive" in the eyes of people with little "deep" information of the situation, no matter how the situation developes on daily basis. If Professor would return today, he might see that the situation has improved from the days he spent at Europe, which, I believe, took place just after the parlamental elections of 2003, and during the "harsh" politics of Ariel Sharon at that time.

Time Jam


Very good reason to get drunk.

From wikipedia:

...the situations typically arose from misunderstandings or ideological differences between various groups that could be resolved through reason and perseverance. The core theme of the stories is an optimistic liberal humanism: the adventures aren’t about defeating enemies but about exploring, facing challenges, and celebrating diversity.


This is one of my favorite comics. They handle more like travel journals into strange worlds than future-themed adrenaline-action with explosions every three minutes.
My favorite sequence in the comic-series was when they after tracking down drugs and illegal technology on 80s Earth, find out that the guilty party is Holy Trinity. Big is Valerian's and friends surprise when they find out that God is a no-good, down-on-his-luck business man, Jesus is an old hippie and Holy Spirit is a broken slot-machine.

Im quite sure, after seeing that intro, that Tim Jam will not be anything like that. Well, hopefully it made the creators rich.

Tuesday, 11 April 2006

Harry Potter Part III

For some reason, I want to write this all down on one go. This post talks about racism in the Harry Potter-books, as the people are divided into "muggles" (humans who cant do magic), true-blood wizards (who are descending from other wizards, for hundreds of years) and half-bloods (other parent is a muggle and other true-blood). There are also "humanlike" races, such as centaurs, elfs and giants. and "halfhumans", who are nearly human, but who may have other blood in their veins as well.

While in the first books the Evilness of Lord Voldemort is taken at face value, in the later books it is revealed that what truly makes him evil is his shame of being halfblood. He collects followers by talking against muggles (of whose hunting should apparently be legal) and on the other hand by promising more rights to humanlike-races, such as giants and werewolves.

Many trueblood-wizards feel that wizards of whose both parents are muggles should not be teached magic at all. Thru the books, Hermione Granger is said to be "mudblood", which has about the same politeness value as the word "nigger". While Harry and friends are of course opposed of this, they dont see anything wrong with insulting and bothering TRUE muggles. The Minister of Magic dosen't much apriciate the Prime Minister (a muggle) of the Realm. In the sixth book the PM goes thru several flashbacks, which show that the Minister of Magic dosen't tell anything to his de facto boss. And when he does, it is very grudingly, without following the spirit of the rules. After long conversation about something else, while already going for the door, the Minister of Magic, Mr. Fudge goes;

'Oh, and I almost forgot,' Fudge had added. 'We're importing three foreign dragons and a sphinx for the Triwizard Tournament, quite routine, but the Department for the Regulation and Control of Magical Creatures tells me that it's down in the rulebook that we have to notify you if we're bringing highly dangerous creatures into the country.'
'I -- what -- dragons?' spluttered the Prime Minister.
'Yes, three,' said Fudge. 'And a sphinx. Well, good day to you.'
Also, humanlike-creatures, however peaceful they are, don't got any rights. Hermione repeatedly talks about elfs being used as slaves. She is the only one who has any problem with the subject, and is repeatedly treated as a joke because of her concerns. The centaurs can only live in the forrest next to the school because the Ministry very kindly allows it to be used as reservation. Giants are nearly extinct, and the last one in Britain was nearly stoned to death before the headmaster of Hogswarts went inbetween.
The halfhumans who can pass as true humans do so, as it's the only way to be employed.

While some of the races are pretty violent and on average dumber than humans (it is agreed that giants are partly of blame for their own situation; when wizards forced them to the mountains, they started killing each other accoarding to ethnic problems), halfgiants are as smart and calm as normal humans, but are still treated like their full-giants. Werewolves, even those who got bitten by accident and take medicine not to be danger to society, are greatly disliked.

All in all, wizards, even those who think themselves as fairminded, are actually very closeminded.

Harry Potter Part II

The relationship between parents and the children in the books. In case you have not read the books, short description of my current topic should be in order. Harry and his best friends Ron Weasley and Hermione Granger all go to the boarding school of Hogswarts, where the students start at the age of 11 and which consists of seven year-classes.
Trough the books the children and parents both show very little parental interest in their kids - and the kids, in turn, don't seem to need any.

If I understood correctly, the summer vacation from Hogswarts is six weeks, and the winter vacation is about two weeks, I suppose. Outside these vacations, the parents don't see their children. Also, it is possible to spend the Christmas vacation at school.

While Harry is an orphan and his adoptive parents are horrible, Hermione and Ron both come from loving families. Hermione is the only child of muggle-couple (eg. they cant do magic) and Ron is one of the six children of old wizard-family. In all the six books, Hermione's parents dont speak even once. As far as I remember, they were spotted once, from afar, but they never talked. From Hermione's dialogue, however, it can be seen that she dosen't resent her parents, and probaply loves them. Ron's parents are shown in much more detail. Harry and Hermione both spend days if not weeks at Ron's parents at a time. The mother is shown to be perfectly lovable house-wife, who washes the dishes, clothes and even knits by hand sweaters to all members of the family (and Harry and Hermione).

In the end of the first book and the beginning of the second book, it is told that Ron's younger sister Ginny would be starting at Hogswarts. She has - so we are told - expected it for years. The mother is sending her to the school happily, and both she and Ginny see this as the way things should be. She does not cry, nor is she missing her mother. Indeed, during winter vacations both Ginny, Ron and Hermione decide to stay at school to keep Harry company. Year after year.

The parents see their children up to six weeks a year. Less, some years, as Hermione stays with Ron's, to be with her best friends.

And parents think this ok. Not once during all the six books, do the children imply that they miss their parents, or parents miss their children.

The only expection is Harry himself, who is an orphan. His feelings toward his real parents are expressed several times during the books. He misses them. And in the later books, he wants to be like his dad. He is very angry of the way how his parents died when he was only a year old, and seeks openly revange against their killer (Lord Voldemort). It is very suprising, that all the rest children in the books don't have any feelings towards their parents. The only one who is expressing love is Ron's Mother, who in the fifth book is weeping for her loved ones, of whose life she is scared for. However, after a while, she recovers and sends her children once again to Hogswarts.

While I was wondering this, I tried to look up info about boarding schools. What sort of parent - in real life - sends hir child, who isin't yet even on hir teens, to place that means you will ever be able to see him/her few weeks every year? Isin't that cruel? And what does all that do to the psychological development of the child?
I tried to google some studies, but it didn't give me any results, only pages that wanted me to send my child to a boarding school.

Harry Potter Part I

I just finished reading the Harry Potter-series. I have known of the series since about 2001. However, I had not seen fit to read any of the books, mostly because I found the descriptions of the series dissapointing and the fans of the series annoying.

I once browsed thru book one, but didn't much think of it. Two weeks ago I loaned the first book from library again (I was really bored and I have mostly read everything else worthy there), so I thought to give it a try. The first one went down pretty badly. I didn't find it that interesting. Second was slightly better, and starting from book three I read the rest inside a day or two per book (the last book went in a day).

Anyway, now that I have finally educated myself in this phenomeon, you would be wise to expect that I will be writting several posts about the subject. That is why there is "Part I" in the topic.

Things I thought to bring up are:
1. The relationship between parents and children in the books
2. The concept of magic and "muggles" in the series.
3. How the concept of these stories relates to other stories in this and other genres.
4. Some problems I have with these series, particulary the target audience.

I do not yet know which of these concepts I will actually be talking about, it may be that I drop some of the topics in the list, and talk of other things entirely. There might even not be "Harry Potter Part II".

Anyway. I have noticed in myself that, when reading long stories on one go, I really start to live the stories. And when I close the last book, I start to feel very small and unimportant. It may be that I live thru much trough the stories, and my mundane life, that goes between school and computer (and friends during weekends) is not that interesting.

Stories that have previously caused myself such immersion could start with the David Eddings' Belgariad and its sequel Mallorean. I reread them last summer and noticed that they haven't really stood the test of time, but at the time (when I was 13) they were really great.
It was the first story I read that wasn't based just on adventure (Tarzan, Zorro, Blyton-books) or on story on epic levels (Star Wars, Lord of the Rings), but had some romance- and soap opera there too, if I may say it so bluntly. I may have talked of this previously in this blog. Since then I have felt so very strongly when I first read Rumiko Takahashi's Maison Ikkoku, Uncanny X-Men's "classic" stories (from #80's up to #250 or so), saw the 90s Superman-series (I watched the first three seasons nonstop) and a read Terry Goodkind's Sword of Truth-series (before the very dissapointing last books).

Anyway, should I have any readers, I would ask you to recommend some similar stories for me to sample. Longish, with development between and with the characters.

Monday, 3 April 2006

Kypäristä

Viime vuosina elämänpidentäjät ovat muuttuneet parempaan suuntaan.

Ne ovat nykyään malliltaan sporttisia urheiluvälineitä, joita melkein tahtoisi pitää päässään kävellessäänkin. Varsinkin kesäaikaan sitä on huomaavinaan, että jotkut todella tekevät sitä; jättävät muovibaskerin päähän lukittuaan pyörän.

Johtopäätös; tätäkin viestiä lukevat nuoret henkilöt (ja miksei vanhemmatkin) jotka eivät pidä bufferia päässä pyöräillessään, ovat harvinaisen hyvää pullamössötaikinaa."Näyttää potalta" oli ihan hyvä perustelu vielä 90-luvun ensimmäisellä puoliskolla, kun puoliympyrät ekan kerran tulivat markkinoille. Silloin ne todella NÄYTTIVÄT potilta, ja todella typeriltä.
Sellainen päässä ja näytti heti jälkeenjääneeltä, jota ylihuolehtivainen äiti suojeli. Harvempi äidin helmoista päässyt niitä oikeastaan edes käytti.

Nykyään kypärät tuovat muotoilultaan mieleen lähinnä lihaksi tulleen nopeuden. Sellainen päässä ei näytä typerältä; ei, vaan ainoastaan KESKITTYNEELTÄ. Sillä todistat ettet ole et ole kuka tahansa sunnuntaipyöräilijä vaan joku joka tietää miten 15-vaihteista pyörää käsitellään.
Ja jos alla on mummon vanha pyörä 60-luvulta, niin se johtuu yksinomaan siitä että olet menossa ostamaan paikkaustarvikkeita kävelyteiden kauhuun, joka lepää satula alaspäin omakotitalosi autotallissa Westendissä, Ferrarin ja purjeveneen välissä.

Pyöräilykausi alkaa. Jos ei ole kypärää niin nyt voisi olla hyvä hetki ostaa. Älkää ostako sitä koska se on halpa. Älkää ostako sitä koska se voi pelastaa henkesi. Ostakaa se koska kypärä saa sinut näyttämään siltä kuin olisit matkalla Ranskan ympäriajoon.

Ostakaa pois. Kypärä on seksikäs. Sellainen päässä ja tyttöjen (poikien) sydämet alkavat iskeä Porilaisten marssin tahtiin ilmestyttyessänne näkökenttään. Ja seisoessanne heidän vieressään, tuntemattomat ihailijanne tahi rakkaat elämänkumppaninne eivät voi olla ajattelematta kuinka voisivat ikinä olla arvoisianne; niin, kuinka kehtaavat edes puhua Teille, joka olette niin keskittynyt? Pelkästään jalkojenne katselu saa heidän niskansa särkemään, niin korkealla heidän yläpuolellaan Te olette. Te, nykypäivän Anodis tai Afrodites. Ja jos joku kutsuu tuota ihmeellistä käyttöesinettä 'potaksi', suosittelisin olemaan kuuntelematta. Kaikkihan te tunnette tarinan Samsonista, hänen suurista lihaksistaan ja vallattomista kutreistaan? Eivät ne olleet Fonzieita ja Elviksiä ne, jotka halusivat niiden katoavan, vaan Malfoyn perillisiä ja Sarumanin kätyreitä.

Postcard to Australia

I got from school this really sucky postcard. When I was throwing it out, I noticed that it has POSTAGE PAID TO EVERY COUNTRY IN THE WORLD. I mentioned this at one irc channel, where one aussie wanted me to send it to his friend. This is what the postcard looks in the front and this is what it looks like from the back.

In the front it says "Be different kind of an adult. Study."

On the back it says, "My love, I want to thank you for the days I shall never forget. You are always in my thoughts. <3"



The whole stuff is in finnish, and the aussie who asked me to send this promised to keep me updated what happens to this piece of paper as I get rid of it tomorrow.

Sunday, 26 March 2006

ICQ and problems II

I dont care to comment on this

(17:01:36) 312067175: Hello
(17:01:57) iJ: good day
(17:02:13) 312067175: СОСИ
(17:02:19) iJ: ..?
(17:02:43) 312067175: Fuck of niger
(17:02:59) iJ: Err..
(17:03:17) 312067175: иди нахуй сучка
(17:03:18) iJ: Either you are really confused person who dosent know the definition of word 'niger' or you dont know who you are talking to..
(17:04:24) 312067175: The ugly creature
(17:04:35) iJ: Right. Good bye.
(17:04:44) 312067175: соси

Saturday, 25 March 2006

ICQ and problems

I have username or number in three instant messaging protocols, all managed thru Gaim, a splendid little piece of software.

Of all the protocols I have (AIM, ICQ and MSN, btw) only in ICQ people call me and start bugging.
And this only started after I went over 21. I imagine I went from one group to another, but I have no idea where and is there some change to get back to the "dont bug me" group.

This would be ok, if people would want to talk to me about comics, books, history or some other thing I would actually be interested in, but usually the people who talk to me are girls (or women, as it is) and braindamaged.

Anyway, this is the sort of conversations Im having over it. For context, it should be pointed over that my personal information (available next to my nick in the chat window) had all the information she is asking about, and more besides. Her info only had the name 'veronica' there.

(19:25:07)
263446539:
hi
(19:25:39) iJ: evening
(19:26:55) 263446539: where are you from?
(19:27:26) iJ: Hmm
(19:27:32) iJ: Where did you get my number from?
(19:28:07) iJ: I live in Finland, which I have probaply written next to every place where my id is up
(19:28:37) 263446539: age?
(19:28:59) iJ: Who are you?
(19:29:57) iJ: I am not very delighted that someone who hasnt even introduced herself suddenly pops up and starts interrogating me
(19:30:24) iJ: With questions that I have already answered on the page where you found my number
(19:30:48) 263446539: ok bye
(19:30:57) iJ: thank you, and good bye
(19:31:35) 263446539: thank you for what?
(19:31:50) iJ: Sarcasm
(19:32:21) 263446539: you not want to talk with me
(19:32:30) iJ: I would love to talk to you
(19:32:46) iJ: But I have asked two questions from you, and you have not answered me once
(19:32:56) iJ: Thats not dialogue, thats interrogation
(19:33:45) 263446539: you haven't asked nothing
(19:34:25) iJ: Where did you get my number?
(19:34:29) iJ: Who would you be?
(19:35:20) iJ: Listen, I bet you have talked with people via phone?
(19:35:43) iJ: When you call someone, you introduce yourself.
(19:35:51) iJ: And before calling, you find out something about the person you call to.
(19:36:16) iJ: In this case, if you found my number somewhere, you probaply found that the page also had information about me, like my country, age and gender
(19:36:36) iJ: You dont just select random number from phone book and ask "who am I talking to?"
(19:36:45) 263446539: i haven't read nothing about you
(19:36:53) iJ: Where did you get my number then?
(19:38:00) 263446539: i don't remember. here
(19:38:08) iJ: "here"?
(19:38:22) 263446539: yes
(19:38:29) iJ: What would "here" be?
(19:38:42) 263446539: excuse me but i don't speak english very well
(19:38:55) iJ: What was the page where you found my number?
(19:39:08) iJ: "here" isint a location :)
(19:39:37) 263446539: i don't remember
(19:40:58) iJ: Right. Good bye.

Makes you really connect with the human race, dosent it?

Success!

Three weeks ago I volunteered to review a newspaper strip-collection. The publisher even sent me a review-copy - so this was "real" review, not one of those where I have to buy my own copy which I will then publish at some forums or on my blog.

It saw the light of day at Kvaak.fi, which is the biggest* comics portal in Finland. The forums are read by all - the publishers, the editors, translators, artists and writers - and so it's not just some "fan project".

The review is in finnish and can be found here. It has been up for four hours now and the page has 70 hits - on Saturday.
Apparently my text wasnt awfully sucky, as I was asked to review some comics for Otaku - which is THE fanzine for anime in Finland*. I'll probaply not get paid, but Ill get more copies for review. As albums aren't that cheap for poor student like me, free stuff is free stuff even if I have to write a review about it. (My dad pointed that it isint free if I have to review it, but as I would probaply write a review anyway, I think this is pretty cool).
Hopefully, in a few years I get my texts up in Sarja-Info, the four-times-a-year magazine published by Finland's Comics Society. That is, if I can keep writing that long. But it would be really great to see my name in print somewhere.

Well, dreams are important, don't shatter them, please.

*OK, so theres only one
*There are others, but this is the only one with regular publishing schedule.

Sunday, 19 March 2006

Why Judaism Is Cool

Found this some time ago in Warren Ellis' dirty blog.

At the time I didn't think much of it. I found it disgusting, but that was about it. Today morning I was at shower and thought how much trouble those fucking idiots are going to destroy something so precious. Wouldn't it be much easier all around if these dimwits would just camp outside synagogues and mosques instead of going to the tropic getting eaten by mosquitos that probaply spread all sort of nasty diseases.

And then I thought some more of those "spreaders of word". I remember how they go door to door disturbing all sort of honest folk.

Jews never do that. Whatever you say about jews, they never interrupt you in the middle of your favorite show or bath. Thats a huge plus in My Personal Up and Down List.

Sunday, 12 March 2006

Megatokyo

I saw Megatokyo first time when I was still at compulsory school. I was fifteen and I had just discovered forums. Some other user pasted few of the comics in the "joke" topic. I thought the comics he put there ( the "does anyone here speak l33t" being one of them) were one of the best I had ever seen. I was idiot back then, so I asked where he got them. He laughed and didn't tell. I don't blame him. It took me few months to finally find the page on my own. I was thrilled. It was the first web comic I found and followed.

And follow it I did, for two years or so. Largo, the script monkey, left and the story got little confusing and the jokes changed. But it was still pretty good. At some point I got tired of waiting three days between each strip, and I started checking the archives every few weeks. And then every few months. And then I started taking only looks on the main page, now and then.

Now, it feels like its of something improper, taking a look at something that used to be so important and isint any more. It makes me feel guilty, to go check what the comic is up to now.

The art is more defined. The contrast between lines and white is more cleaner. Gallagher/Piro has clearly advanced, and the faces dont look so big anymore.
And the jokes are gone. I thought, "maybe its only this one". And I went back, read few earlier installments, and jep, the jokes were still gone.

When Iron Cat published the Megatokyo collection, I bought. It was a riot, very fun, and I like having it in my self even thought Dark Horse later brought out new edition with more pages and better paper. And I bought the Dark Horse volume two. Still some good jokes, but toward then end the evolution that leads up to now is clearly seen. When I bought volume 2, I decided I wouldnt buy number three, realizing that it probaply would be even more romance-like tpb and less of the gamer-comic. Wise choice, now that I look the comic again.

Since then books three and four have come out.. and Gallagher is now writing just for the trade. The pages don't work as single units no more, they dont make any sense. And the readers of the comic - the gamers, the rpg'ers, the anime enthuastics who like the jokes, those loving the mad action - have all gone, being replaced by those who love the manga style, those who love the romance the book now has and the soap opera.

And that's cool. Gallagher does something he loves. Apparently he and Largo (Castron) are still friends. Or at least they arent hating each other. Largo talks in his blog sometimes of Piro, and it dosent feel hateful. And Piro still defends Largo when someone tries to give all the credit of the comic for him.

But somehow Im still sad. I cant feel that Im part of the intended audience of the comic anymore. And I really loved Largo's sense of humour, and the humour Piro tried to impose on the comic after Largo left, before concentrating on the romance.

And I think I realize it only now. Before, the comic at least tried to stay true to its roots. There were jokes. The artstyle, while better, still was pretty close to the orginal one. But there isint it anymore. I could think that this was still the Megatokyo I loved. I cant see it anymore. Its a new comic, with the old name and old characters.

Something I really miss is Largo's sense of humour. I would love to see him write something again. But apparently he is content in being programmer in the Unix-environment, as told on his homepage. Maybe he does something in the future.

But I doubt it.

Friday, 10 March 2006

Webcomics

I follow several comics, and have followed several in the past. The things I love about webcomics is that they are so free - you cant imagine seeing anything like this outside some freakish underground comics (and most of that is just as filthy shit as most of webcomics, but you have to pay to find this out. Also, if you find something great, that dosent mean you will find the next issues).

The problem with "what webcomics do you think are great?" topics at forum is that people list lots of comics that arent of interest to anyone. For recomendations to be any good, should the person who recommends and the person who takes the recommendations be on the same brain wave, as far as interests and sensitivity go. It's all jolly and good if you are both game fans and also bit geeky - but if the other one dosen't like sex- and gore-jokes, mixed with game- and geek-references, its all out. I wrote part of this list at my homepage, but here it is again, with some additions and more comments.


So, at the moment (it changes) my two favorite comics are:
Something Positive. It should update daily, but usually it does about two to three strips per week. But it has a large archive going back six years, so one should manage pretty ok. The comic is about Davan, an actor from Boston and his extended circle of friends. I guess it is kinda like Nemi in some of its jokes -- lots of them are of dark humour. In the latest strip a geek pays for doctor to convince that his bimbo-friend has ruined her good looks, probaply to make her "easy pray". The artist has gone thru several styles while making the comic. His current style seems pretty minimalistic, and at earlier times it was too cartoony at times.. but all in all, it is well drawn. Professional quality.

Penny Arcade. Is the grandfather of every "two gamers talk about popular culture" webcomic in the net. At best, it is very hilarious, but some storylines leave me cold. Both the writer and artist are of the top of the game. Apparently both creators are living off their product, at the moment, having enough income to not only fund their lives but also to hire people to handle deals, money, cons, merchantise etc.
This might be wise as they have sold the rights to their comic off TWICE, without knowing what they were doing.
Anyway. The creators are living the American Dream. And they deserve it, because this comic is GOLDEN.

Sinfest is a cast of characters involving not-so-good playboy, teen-slut, the Devil, a nerd, Dragon, dog and cat, God, fanboys (one for God and one for Devil), a pig, two annoying kerubis etc etc. Hilarious best, tiresome at times. The writer/artist takes regular unannounced vacations that may last as long as a month.

El Goonish Shive sees the writer/artist develope during it's run. The comic starts very modestly, art-vise, and developes into well skilled, but pretty lifeless panels. I enjoyed this comic greatly, and even sent email to the creator telling him so.
The comic deals with two teenagers Ted (a girlish looking scientist-geek) and Elliot (who does karate or kungfu or something) and what happens to them. This involves sex-changes, people who turn into animals, alternative dimensions, clones, aliens etc.
For the above mentioned reasons, this comic was also The Link of the Day at Something Awful.
But I liked it. Three times a week.. maybe?

Penny and Aggie is about two beatiful girls at high school. While Penny is only interested in herself, and keeping herself the boss of her group and the most desirable girl in school, Aggie is interested in saving the world and is therefore social outcast. The girls consider each other more or less rivals, for reasons known to no one, not probaply even by themselves. Well written and the art is very good indeed. It looks french with japanese touch. Four times a week.


Shortpacked! is a department store, the main characters work, under the faschist rule of of store owner Galasso. here's the cast page. I like this comic because its very, very comic-geeky and because I can see an aspect of myself in most of the employees. Exellent comic. Almost daily, I think.

Perry Bible Fellowship is very exellent. Cool colours, and very, very twisted and sick sense of humour. I like it very much. You will probaply too, if you arent too sensitive person. Once a week.

So, do you have any personal favorites that you would like to tell me about?

Wednesday, 1 March 2006

Doctor Strangelove

Doctor Strangelove

I thought to talk about the movie Dr. Strangelove, as some people, who I will not mention, hadn't even HEARD of it.

Wikipedia says of the movie so:

"Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a 1964 Stanley Kubrick film based loosely upon the straight-faced thriller novel Red Alert by Peter George. Refashioned as a black comedy from the source material by screenwriter Terry Southern, Dr. Strangelove's subject matter satirizes the fragile nature of the Cold War conflict and the doctrine of mutually assured destruction. The film opens at the fictional Burpelson Air Force Base, where the insane General Jack D. Ripper has just ordered a preemptive nuclear attack on the Soviet Union. The rest of Dr. Strangelove follows the American President and his advisors, the Joint Chiefs of Staff, and a RAF officer as they all scramble to recall Ripper's bomb-wing in order to prevent a nuclear Apocalypse."

The movie is hilarious. It shows Peter Sellers in three roles (thing I only realized after seeing the credits), as the RAF officer, the President and as Doctor Strangelove. The movies gratest strenths are, on addition to the Good Doctor ("Mein Führer, I can walk!") the slightly-less psychotic general ("Now I'm not saying we wouldn't get our hair mussed, but I am saying no more than 10 to 20 million killed. Tops!") and the cheerful musics as something evil is happening, something copied later on to the Fallout-games by Interplay (both game-intros are heavily based on this movie, as is the fifties-feel).

The movie has aged very gracefully. While the effects werent very top-of-the-art even when the movie was created, how many modern movies can say that when nuclear bombs are being blown in the screen, they were actual n-bombs, and not just some cheap tricks? Thats work-ethics, folks!

[This was my 50th post, btw.]

Monday, 27 February 2006

Sunday, 26 February 2006

Books I have read recently

Alien Earth by Megan Lindholm.

You might better know her from her work under the alias of Robin Hobb.
Alien Earth is a scifi story, written in 1992, probaply before Lindholm got famous with her Assasin-books. The story of the book in nutshell;
Earth is dying. And with Earth, humanity. While humankind has advanced in technology, it is not far enough developed to move the species to new planet. And then come the Arthroplana in their living Beastships. They transfer humans to knew planet, where evolution is based on co-operation instead of fighting for the place in the sun. The planet's ecosystem welcomes humanity, giving it its own niche in the grand dance of the world. But humanity is just visiting. To ensure that they would not damage their new planet, the population dwindles to several thousands; to minimize the resource usage, people become smaller and smaller.
The largest rule is; you should not cause impact on the planet. People should not walk the same path repeatedly in case they leave too big a tract; and walking outside the designated areas is illegal.
John Gen-93-Beta is a person who dosent really like where humanity is at the moment. Captain ing the Beastship Evangeline ensures he is sleeping years at a time, while the ship is traveling from one place to another. He is the leader of crew of one, Connie, who has once been mentally "adjusted". Not even Connie herself knows why she was adjusted for, but she is pretty sure whatever it was, the adjustment didnt really work.
Also on the board is the owner, the real captain of the Beastship Tug, who is obsessively interested in Earth-literature, and a stow-away, who has been in hibernation since he left Earth, thousands of years ago.
After getting comission from Earth Affirmed, Evangeline and its passangers head to Earth, to see if its still habitable. But things dont go as planned, and captain and crew are stuck on planet that is very foreign from the friendly planet where humanity has lived hundred generations, and to which humanity has been trying to adjust.
The book has a message on it, and more twists you can imagine. This is surely the best book from the author I have read. I couldnt make myself give the book a rest.


Mister Monday by Garth Nix

I have previously read from this author the Abhorsen-trilogy, as well as Across the Wall, which I thought was collection of short stories about the Kingdom, where where trilogy takes place. Instead it had one longish short story about Kingdom, and lots of older stories from Mr. Nix' career.

Anyway, Mister Monday is the first book out of seven, in series named Keys of the Kingdom, which dosent have anything to do with the Kingdom mentioned earlier.
The books are very fastpaced. On the other hand, something is happening all the time, but there isint much time for conversation. His books handle like action films, lots of action, little talk. This makes them breathtaking, but not very deep.
Relationships between characters aren't really built; in this book the character Leaf appears exactly twice in person and once via email. Still the reader has to think that Leaf is a close friend of the protagonist.
To the book. At the beginning of time, there was the Architech. He built the House, and after the House, he built the Secondary Realms, aka the Universe. The House is millions of levels high, and its function is to record what happens in the Secondary Realms, to smallest detail.
Then the Architech went away. Before leaving, he left behind The Will, which tells how things should work from there on. He left seven people to take care that the Will be done, but instead they tore the Will apart and inprisoned the parts on the far reaches of Time and Space. Then they split the House and the Secondary Realms to their own domains; each one would get certain parts of the House, and authority over Secondary Realms on one given weekday.
The book starts when one fragment of the Will escapes. It fools Mister Monday to give the Minute Key, one of the fourteen keys to the House to Arthur Penhaligon, who is just about to die of asthma attack.
Then Arthur has to start running, because Monday wants his key back.
The book is very orginal in its execution, and while it draws parallels between Architech and God, there is no religious message, though one who knows of such things will probaply find the book even more interesting read. The House, where Arthur has to travel is very orginal, and does not really follow the rules of normal fantasy. Its very fast paced, to a fault, as some characters are introduced and left way too fast, only to come back hundreds of pages later in their designated function.
It is very hard to think will someone be trustworthy, when the decision has to be made from few impressions. Reader has to trust into the judgement of the main character, as he spends time with the people much longer than Nix bothers to tell us about.
All in all, good book, but little sketchy on times.

Bartimeus-trilogy (Amulet of Samarkand, The Golem's Eye, Ptomely's Gate) by Jonathan Stroud.
I started reading this last summer, when I encountered the translation at the library. I finished the last part in english last month, and finally Im going to write something down on the subject.

After Gladstone, a mighty magican, took over Great Britain in the 19th century, England has been the world's greatest empire, the home of the greatest magicans, who form the government and backstab each other to gain more power.

All of the power of the magicans is based on demons they summon and command; sometimes they infuse objects with them, trapping the demons inside, and thus greating powerful objects. Great care is to be taken while dealing with the demons, as they would very much like to get their hands on the summoner. The summoning is based on the true names of the magicans and of the demons, and with the magican's true name in his hands, demon can do much to rip control from him.
The books are written from the perspectives of the young magican Nathaniel and his demon, djinn Bartimeus. Unfortunately for Nathaniel, Bartimeus finds out his true-name, and so he must put his faith on the demon, who can sell him out for the other demons or to other magicans, everyone wanting his hide.

In the first book, Nathaniel, who is only 12-years old and goes by the name of John Mandrake, summons Bartimeus to gain vengance against high-ranking government magican, and bids Bartimeus to steal the Amulet of Samarkand, incredibly powerful talisman that makes its wearer safe from all magic. Things dont go as planned, and soon Nathaniel and Bartimeus find themselves homeless, trying to prevent the goverment falling into the hands of a conspiracy.

In the second book, Nathaniel, now 14-year old, summons Bartimeus as the policeforce he is operating cant seem to solve what causes destruction at London. Bartimeus finds out for his disapointment, that while he has been away, Nathaniel has grown more and more ruthless. However, he is but a slave, what can he do to change that?

In the third book, Nathaniel, now 17-years old, is at the top of the game. He is the propaganda minister, one of the most powerful magicans and politicans of the Empire. However, war is on at the colonies of America, and it isint going well.
Bartimeus is nearly at the end of his rope. Since the second book, he has been constantly on the mundane world, a tiring thing for a demon. Dimished in size and strength, he can barely open a doors anymore. And the conspiracy, long thought finished, is still around, and ready for the final move.

When I first saw the books, I thought "another Harry Potter-clone". But the cover (see above) was very intriguing, and I had nothing better to do, so I started reading. It ended up not being anything like Harry. For one thing, its very dark. Nathaniel, in the beginning quite innocent boy who wants to get to the top, progressively rises higher and higher by walking over other people. On the same time, Bartimeus, a very uncommon personality for demon, despires how boy he quite liked turns more and more into the sinister magican John Mandrake.

I quite recommend this.

Other books to come later on. Hopefully I get more interest in updating this blog - it deserves it..

Sunday, 22 January 2006

Star Wars: Devilworlds 1 ja 2

The post to come is in finnish, seeing as how I wrote this at finnish forum. I however think its worth saving here as well.

Sain juuri luettua Dark Horsen Star Wars: Devilworldsin. Kyseessä on kaksiosainen minisarja joka julkaisi parhaita, alunperin 70-luvun lopussa Britanniassa Britannian markkinoille tehtyjä Tähtien sota-sarjakuvia. Kummassakin numerossa oli useampia lyhyitä tarinoita, joista yhteensä viisi oli Alan Mooren, tuon sarjakuvajumalan, käsikirjoittamia. Mukana on myös Alan Davisin varhaisia tarinoita. Jännä katsoa miten herrat ovat kehittyneet vuosien saatossa. Mooren tarinat ovat runsassanaisia, mutta harvassa niistä on sitä twistiä joista Moore nykyään on niin tunnettu. Davisin kuvitus on selkeästi nuoren miehen kuvitusta, eikä se ole niin sliipattua ja juoksevaa kuin ne esim. Excaliburin ja Ryhmä-X:n tarinat, joista hän myöhemmin tuli kuuluisaksi.
En ole aiemmin lukenut vanhoja SW-tarinoita -- niitä joita julkaistiin Suomessakin 80-luvulla -- mutta osa näistä tuntui erittäin tutuilta. Muistin jopa yhden tarinan lopun, mutta mulla ei ole mitään muistikuvaa siitä missä olisin näitä lukenut...

Joka tapauksessa. Tarinat olivat hyvin outoja verrattuna niihin useisiin nykypäivänä kirjoitettuun. Kun nämä uudet tarinat tuntuvat olevan scifiä pienellä fantasia-silauksella, niin nämä vanhat tuntuvat olevan fantasiaa scifi-silauksella. Tarinoissa pyörii demoneita, jumalia, mutantteja, aikamatkustusta ja vanhoja sivilisaatioita.

Luettelen tarinat:
Devilworlds 1:
Dark Lord's Conscience. Alan Moore ja John Stokes. Vader on kutsuttu pelaamaan jotain shakin tapaista vieraalle planeetalle. Hänen pelatessaan rakennukseen murtautuu mutantti joka kykenee nostamaan ihmisissä niin syvän epätoivon pahojen tekojensa tähden, että nämä tekevät itsemurhan.
The Flight of Falcon .Steve Parkhorse ja John Stokes. Millenium-tehtaan valmistamat Hawk-alukset ovat salakuljettajien suosiossa. Niinpä Imperiumi "pyytää" että tehdas valmistaisi Falconin - prototyypin tulevasta aluksesta, jota Imperiumi sitten tuunaisi salakuljettajajahtia varten.
Dark Knight's Devilry. Steve Moore ja Alan Davis. Luke ja Leia ovat aavikkoplaneetalla, etsimässä timanttia jonka avulla aikaa voi kelata takaisin ja tapahtumien suuntaa voi muuttaa.
Blind Fury. Alan Moore ja John Stokes. Luke törmää matkoillaan hätäsignaaliin, joka johtaa hänet muinaisen velhon linnaan. Linnasta löytyy vanhoja jedi-ritarien haarniskoja ja sieluja, krystalleihin vangittuna. Ja velhokin on vielä hengissä.

Devilworlds 2
Rust never sleeps. Alan Moore ja Alan Davis. R2D2 ja C3PO ovat saapuneet robottien hautausmaalle, järjestämään kapinaa Imperiumia vastaan joka aikoo louhia robottiromujen vuoria raaka-aineita vastaan. Planeetalla he tapaavat ikivanhan robotin, joka kertoo että planeetta on itseasiassa robottien romuista muodostuva elävä jumala.
Tilotny throws a shape. Alan Moore ja John Stokes. Leia pakenee aavikolla, perässään iskujoukkojen sotilaita. Paetessaan hän törmää ensin tuhansia vuosia vanhaan iskujoukkojen sotilaan kypärään, ja sitten outoihin, todellisuuden ulkopuolelta tulleisiin olentoihin.
The Pandora Effect. Alan Moore ja Adolfo Buylla. Paetessaan paikallista mafiaa Hellhooppiin (eräänlaiseen Bermudan kolmioon) Leia, Han ja Chewbacca löytävät joukon sadistisia velhoja jotka ovat vanginneet demonin kristalliin.

Tarinat ovat aika outoja, niissä ei ole kovinkaan "SWmäisiä" piirteitä. Tarinat ovat fantasiaa, jossa silloin tällöin vilahtaa avaruusaluksia.
Hahmojen kasvojen piirrustustapa ei ole vakiintunut, ja niinpä Luke ei näytä yhtään Mark Hamillilta eikä Han Harrison Fordilta. Piirtäjien lahjakkuuden huomioonottaen kyse ei ole kuvittajien kyvyttömyydestä, vaan tietoisesta päätöksestä.

Ennen muuta ne ovat katsaus aikaan jolloin Imperiumin vastaisku ei ollut vielä ilmestynyt, ja käsitys siitä millainen SW-universumi oikeasti on oli vielä aika hatara, varsinkin Britanniassa missä ei ilmestynyt niin paljoa oheiskrääsää kuin Yhdysvalloissa.

Tunnistaako joku muu kuvattuja tarinoita? Julkaistiinko niitä Suomessa? Onko kenelläkään tietoa minkä takia osa näistä tarinoista, varsinkin Tilotny throws a shape ovat niin tuttuja että tiesin loppuratkaisun vaikka minulla ei ole mielikuvaa aiemmasta lukukerrasta?

Friday, 20 January 2006

Challenge

I challenge you to pick ten wierd books out of your bookshelf and explain why you havent gotten rid of them. So wrote Tekno-Kekko at his blog, after he had been challenged to answer to do something quite different. However, I found this one particulary amusing, so I think Ill do it. Not ten, however. Tekno-Kekko is probaply over 50, and Im little over 20, so I dont have as much wierd stuff as he does. Plus I moved only year ago, so most of the stuff I could not explain to myself were left behind. Such as my mormor's (mom's mom) old schoolbooks. Im going back to get them, however, one of these days. They are very entertaining.
So I will settle for five entries. Can you, dear readers (all two of you) do the same?

Helene Schjerfbeck - Piirustuksia ja akvarelleja (drawnings and akvarels). I loaned this from my farmor (dad's mom), who has since lost her ability to read or hold books, so I havent bothered to return it. The name of the book is quite misleading. I thought it would have her best art, but it mostly has stuff that "hasnt gotten the attention it requires". In other words, most of those pictures are shit. And Helene S. was very talented woman. I would hope to have tenth of the skill she had! It also has lots of stupid text about said artist's life and why she did the art shown.

North American Indians by E.S.Curtis. Photos from early 20th century. They are pretty funny and depressing at the same time. I think my dad gave it to me as a keepsake, when he moved and couldnt take it with him. I think he thought it would be of interest to me.

IKEA catalogue. I have never even visited IKEA. I have no idea why I have this in my bookshelf.

Dezra's Quest. Dragonlance. I think I got this dirtcheap somewhere. And thats good reason to get anything. Now, I do have other Dragonlance-books on my bookshelf, but this one I couldnt even finish, and I have finished some really sucky books earlier on.

Dragon Knights. Few years ago, when I was still new to manga, I bought the first ten books in this series. I think I was confident that the book was the highest peek of civilization or something.
Its rubbish. Complete shit. I dont know what I was thinking. I however, did use 150 euros on the books, so I cant just throw them away.

Thursday, 19 January 2006

Batgirls everywhere!

In livejournal, there is going this boom of drawing Batgirls. Go take a look, they are very well drawn, I think most of those dudes are professionals. Anyway, even tho I arent professional, I drew one too. If you wish to see what I did with it, just change the number.

This is the only picture I link here; you can see more on my webpage, but I kinda think this was worth a post.

And no, I am not all that happy with the colours I ended up with. But I did draw this from first line to last mouseclick myself. Didnt even use a model.

Wednesday, 18 January 2006

Best Blonde Joke Ever

Im ashamed to admid but it took me awhile before I got it.